Anne Fontaine

About Anne Fontaine

Who is it?: Actress, Writer, Director
Birth Day: July 15, 1959
Occupation: Film director, screenwriter, actress
Years active: 1980–present
Spouse(s): Philippe Carcassonne
Children: 1

Anne Fontaine

Anne Fontaine was born on July 15, 1959, is Actress, Writer, Director. Anne Fontaine was born on July 15, 1959 in Luxembourg as Anne Sibertin-Blanc. She is an actress and writer, known for Les innocentes (2016), Coco avant Chanel (2009) and Marvin ou la belle éducation (2017). She is married to Philippe Carcassonne. They have one child.
Anne Fontaine is a member of Actress

Does Anne Fontaine Dead or Alive?

As per our current Database, Anne Fontaine is still alive (as per Wikipedia, Last update: May 10, 2020).

🎂 Anne Fontaine - Age, Bio, Faces and Birthday

Currently, Anne Fontaine is 64 years, 9 months and 11 days old. Anne Fontaine will celebrate 65rd birthday on a Monday 15th of July 2024. Below we countdown to Anne Fontaine upcoming birthday.

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Popular As Anne Fontaine
Occupation Actress
Age 64 years old
Zodiac Sign Leo
Born July 15, 1959 ()
Birthday July 15
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Nationality

🌙 Zodiac

Anne Fontaine’s zodiac sign is Leo. According to astrologers, people born under the sign of Leo are natural born leaders. They are dramatic, creative, self-confident, dominant and extremely difficult to resist, able to achieve anything they want to in any area of life they commit to. There is a specific strength to a Leo and their "king of the jungle" status. Leo often has many friends for they are generous and loyal. Self-confident and attractive, this is a Sun sign capable of uniting different groups of people and leading them as one towards a shared cause, and their healthy sense of humor makes collaboration with other people even easier.

🌙 Chinese Zodiac Signs

Anne Fontaine was born in the Year of the Pig. Those born under the Chinese Zodiac sign of the Pig are extremely nice, good-mannered and tasteful. They’re perfectionists who enjoy finer things but are not perceived as snobs. They enjoy helping others and are good companions until someone close crosses them, then look out! They’re intelligent, always seeking more knowledge, and exclusive. Compatible with Rabbit or Goat.

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Biography/Timeline

1980

While still dancing, she was picked by Robert Hossein to play Esmeralda in a 1980 theatrical production of The Hunchback of Notre Dame and around this time started to use the name Anne Fontaine. She continued with acting and became known for her roles in comedies like Si ma gueule vous plaît... (1981) and P.R.O.F.S.(1985). An opportunity to be assistant Director came with a 1986 stage version of Louis-Ferdinand Céline's Journey to the End of the Night at the Renaud-Barrault theatre.

1993

Fontaine's first project as solo Director, Les Histoires d'amour finissent mal... en général (Love Affairs Usually End Badly), won the 1993 Prix Jean Vigo. In 1995, she worked with her brother on the comedy Augustin. Two years later, she wrote and directed the successful Dry Cleaning (Nettoyage à Sec). It won the Best Screenplay award at the 1997 Venice Film Festival and is generally considered a milestone on Fontaine's way to becoming "an important figure in contemporary French cinema".

1999

In 1999 the character Augustin (Jean-Chrétien Sibertin-Blanc) re-appeared in Fontaine's film Augustin, King of Kung-Fu. How I Killed My Father was released in 2001, and Nathalie... followed in 2003. The 2005 film, Entre ses mains was widely described as a thriller: an "intimate thriller" according to Fontaine herself. A third Augustin film, Nouvelle chance (also known as Oh La La) was released in 2006. Then came The Girl From Monaco in 2008 and Coco Before Chanel, her biopic of Coco Chanel, in 2009.

2018

Fontaine established herself as a very progressive filmmaker of her time when saying this, establishing that ‘women’s cinema’ should be based off the filmmaker’s perspective rather than their gender. This also suggests that classifying and interpreting films in the category of ‘women’s cinema’ is creating bias and exclusivity among the genre in itself, when it should be a network of creation and empowerment, as Fontaine always intended.

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