As per our current Database, Louis J. Gasnier has been died on 15 February, 1963 at Hollywood, California, USA.
When Louis J. Gasnier die, Louis J. Gasnier was 88 years old.
| Popular As | Louis J. Gasnier |
| Occupation | Director |
| Age | 88 years old |
| Zodiac Sign | Virgo |
| Born | September 15, 1875 (Paris, France) |
| Birthday | September 15 |
| Town/City | Paris, France |
| Nationality | France |
Louis J. Gasnier’s zodiac sign is Virgo. According to astrologers, Virgos are always paying attention to the smallest details and their deep sense of humanity makes them one of the most careful signs of the zodiac. Their methodical approach to life ensures that nothing is left to chance, and although they are often tender, their heart might be closed for the outer world. This is a sign often misunderstood, not because they lack the ability to express, but because they won’t accept their feelings as valid, true, or even relevant when opposed to reason. The symbolism behind the name speaks well of their nature, born with a feeling they are experiencing everything for the first time.
Louis J. Gasnier was born in the Year of the Pig. Those born under the Chinese Zodiac sign of the Pig are extremely nice, good-mannered and tasteful. They’re perfectionists who enjoy finer things but are not perceived as snobs. They enjoy helping others and are good companions until someone close crosses them, then look out! They’re intelligent, always seeking more knowledge, and exclusive. Compatible with Rabbit or Goat.
French-born Louis J. Gasnier was a stage actor / director / producer in Paris when he was hired by Pathe to direct comedy shorts. After discovering and showcasing comedian Max Linder, Gasnier was sent by Pathe to the U.
S. in 1912 to run its operation there. He helped to make Pathe a major player in the U.S. market by cleverly concentrating on the serial format, coming out with such landmark serials as The Perils of Pauline (1914).
Like many silent-film directors, however, Gasnier couldn't successfully make the transition to sound. Many of his sound films were ultra-low-budget cheapies destined for the independent states-rights market, and he often required the collaboration of dialogue directors (who received co-director credit) to handle the actors' line readings.
Gasnier's most famous film has to be the cult classic Reefer Madness (1936) (aka "Reefer Madness"), an unintentionally hilarious anti-marijuana polemic.
