As per our current Database, Rodolfo Amoedo has been died on 31 May 1941\nRio de Janeiro, Brazil.
When Rodolfo Amoedo die, Rodolfo Amoedo was 84 years old.
|Popular As||Rodolfo Amoedo|
|Age||84 years old|
|Born||December 11, 1857 (Salvador, Brazilian)|
Rodolfo Amoedo’s zodiac sign is Capricorn. According to astrologers, Capricorn is a sign that represents time and responsibility, and its representatives are traditional and often very serious by nature. These individuals possess an inner state of independence that enables significant progress both in their personal and professional lives. They are masters of self-control and have the ability to lead the way, make solid and realistic plans, and manage many people who work for them at any time. They will learn from their mistakes and get to the top based solely on their experience and expertise.
Rodolfo Amoedo was born in the Year of the Snake. Those born under the Chinese Zodiac sign of the Snake are seductive, gregarious, introverted, generous, charming, good with money, analytical, insecure, jealous, slightly dangerous, smart, they rely on gut feelings, are hard-working and intelligent. Compatible with Rooster or Ox.
Rodolfo Amoedo (11 December 1857, Salvador – 31 May 1941, Rio de Janeiro) was a Brazilian Painter, designer and decorator.
His interest in art and decoration began when a family friend (who was a lyricist) invited him to do work on the now defunct Teatro São Pedro. In 1873, he enrolled at the "Liceu de Artes e Ofícios do Rio de Janeiro", where he studied with Victor Meirelles. The following year, he transferred to the Academia Imperial de Belas Artes. His teachers there included João Zeferino da Costa, Agostinho José da Mota and the Sculptor Francisco Manuel Chaves Pinheiro. In 1878, his painting on the "Sacrifice of Abel" narrowly won him a travel fellowship to study in Europe.
From 1879 to 1887, he lived and studied in Paris. Initially, he attended the Académie Julian, but finally managed to enroll at the École des Beaux-arts in 1880, where he received the guidance of Alex Andre Cabanel, Paul Baudry and Puvis de Chavannes. From 1882 to 1884, he participated in the Salon while developing his primary themes of mythology, Biblical scenarios and Indianismo.
On his return to Rio de Janeiro in 1888, he was appointed an Honorary Professor as the Academia, but actually taught at the Escola Politécnica and held his first personal exhibition. He won a gold medal at the "Exposição Nacional Comemorativa do 1º Centenário da Abertura dos Portos do Brasil" (1908).
In addition to his canvases, he painted panels for the Supremo Tribunal Federal in 1909, the Biblioteca Nacional and the Theatro Municipal do Rio de Janeiro in 1916. Two years later, he was awarded the Second Chair in the School of Painting, a position he held until 1934. Among his best-known students were the brothers Arthur Timótheo da Costa and João Timóteo da Costa, Lucílio de Albuquerque, Eliseu Visconti and Cândido Portinari.