As per our current Database, Gregory La Cava has been died on March 1, 1952(1952-03-01) (aged 59)\nMalibu, California.
When Gregory La Cava die, Gregory La Cava was 59 years old.
|Popular As||Gregory La Cava|
|Occupation||Film & Theater Personalities|
|Age||59 years old|
|Born||March 10, 1892 (Towanda, Pennsylvania, United States)|
|Town/City||Towanda, Pennsylvania, United States|
Gregory La Cava’s zodiac sign is Aries. According to astrologers, the presence of Aries always marks the beginning of something energetic and turbulent. They are continuously looking for dynamic, speed and competition, always being the first in everything - from work to social gatherings. Thanks to its ruling planet Mars and the fact it belongs to the element of Fire (just like Leo and Sagittarius), Aries is one of the most active zodiac signs. It is in their nature to take action, sometimes before they think about it well.
Gregory La Cava was born in the Year of the Dragon. A powerful sign, those born under the Chinese Zodiac sign of the Dragon are energetic and warm-hearted, charismatic, lucky at love and egotistic. They’re natural born leaders, good at giving orders and doing what’s necessary to remain on top. Compatible with Monkey and Rat.
Around 1913, he started doing odd jobs at the studio of Raoul Barré. By 1915, he was an Animator on the Animated Grouch Chasers series.
Towards the end of 1915, William Randolph Hearst decided to create an animation studio to promote the comic strips printed in his newspapers. He called the new company International Film Service, and he hired La Cava to run it (for double what he was making with Barré). La Cava's first employee was his co-worker at the Barré Studio, Frank Moser. Another was his fellow student in Chicago, Grim Natwick (later to achieve fame at Disney). As he developed more and more of Hearst's comics into cartoon series, he came to put semi-independent units in charge of each, leading to the growth of individual styles.
La Cava also had the significant advantage over other studios of an unlimited budget: Hearst's Business sense completely broke down when it came to his Hearst-Vitagraph News Pictorial and the "living comic strips" they contained. La Cava's main fault as a Producer and Director was that his cartoons were too clearly animated comic strips, hampered by speech balloons when rival Bray Studio was creating more effective series with original characters. He was apparently aware of this fault, and he had his animators study Charlie Chaplin films to improve their timing and characterization. But he didn't have time to achieve very much, because in July 1918, Hearst's Bankers caught up with him and International Film Service was shut down.
By 1922, La Cava had become a live-action Director of two-reel comedies, the direct competitor to animated films. Among the actors he directed in the silent era are:
La Cava worked his way up to feature films in the silent era, but it is for his work in sound films of the 1930s—especially comedies—that he is best known today. And though he did not always get credit, he also often had a hand in creating the screenplays for his films. Among the sound films he directed are:
His output dropped severely in the 1940s, and he only officially directed one film after 1942, Living in a Big Way (1947).
La Cava died nine days before his 60th birthday on March 1, 1952 in Malibu, California. His remains were buried at Chapel of the Pines Crematory.