As per our current Database, Emile de Antonio has been died on 15 December, 1989 at Lower East Side, Manhattan, New York City, New York, USA.
When Emile de Antonio die, Emile de Antonio was 70 years old.
| Popular As | Emile de Antonio |
| Occupation | Director |
| Age | 70 years old |
| Zodiac Sign | Taurus |
| Born | May 14, 1919 (Scranton, Pennsylvania, USA) |
| Birthday | May 14 |
| Town/City | Scranton, Pennsylvania, USA |
| Nationality | USA |
Emile de Antonio’s zodiac sign is Taurus. According to astrologers, Taurus is practical and well-grounded, the sign harvests the fruits of labor. They feel the need to always be surrounded by love and beauty, turned to the material world, hedonism, and physical pleasures. People born with their Sun in Taurus are sensual and tactile, considering touch and taste the most important of all senses. Stable and conservative, this is one of the most reliable signs of the zodiac, ready to endure and stick to their choices until they reach the point of personal satisfaction.
Emile de Antonio was born in the Year of the Goat. Those born under the Chinese Zodiac sign of the Goat enjoy being alone in their thoughts. They’re creative, thinkers, wanderers, unorganized, high-strung and insecure, and can be anxiety-ridden. They need lots of love, support and reassurance. Appearance is important too. Compatible with Pig or Rabbit.
The son of a wealthy physician, Emile de Antonio grew up in the tough coal-mining town of Scranton, Pennsylvania, and it made a deep impression on him. His sympathies were always with working-class people (although he was a Harvard graduate, he was at times a dock worker, a peddler, the captain of a river barge and a broker in war-surplus equipment), and his documentaries are decidedly Marxist in philosophy.
His most famous film is probably Point of Order! (1964), about the Army-McCarthy hearings ten years previously, but his most controversial films would be Millhouse (1971), a scathing indictment of then-President Richard Nixon, and In the Year of the Pig (1968), a radically left-wing perspective on the Vietnam War.
