As per our current Database, Elli Parvo has been died on 19 February, 2010 at Rome, Lazio, Italy.
When Elli Parvo die, Elli Parvo was 96 years old.
|Popular As||Elli Parvo|
|Age||96 years old|
|Born||October 17, 1914 (Milan, Lombardy, Italy)|
|Town/City||Milan, Lombardy, Italy|
Elli Parvo’s zodiac sign is Libra. According to astrologers, People born under the sign of Libra are peaceful, fair, and they hate being alone. Partnership is very important for them, as their mirror and someone giving them the ability to be the mirror themselves. These individuals are fascinated by balance and symmetry, they are in a constant chase for justice and equality, realizing through life that the only thing that should be truly important to themselves in their own inner core of personality. This is someone ready to do nearly anything to avoid conflict, keeping the peace whenever possible
Elli Parvo was born in the Year of the Tiger. Those born under the Chinese Zodiac sign of the Tiger are authoritative, self-possessed, have strong leadership qualities, are charming, ambitious, courageous, warm-hearted, highly seductive, moody, intense, and they’re ready to pounce at any time. Compatible with Horse or Dog.
Gorgeous, dark-haired, luscious-lipped, shapely-legged, not afraid of showing as much of her body as could be, Elli Parvo was THE femme fatale of post-war Italy. Revealed by "Desiderio" (1943-1946), started in 1943 by Roberto Rossellini and completed in 1946 by Marcello Pagliero, she appeared as a sex-hungry vamp men had better not mix with.
In her next film, directed by her husband Aldo Vergano, "Il sole sorge ancora" (1946), an important work about Italian Resistance, she was once again on the wrong side of morality as the provocatively beautiful noblewoman who tries to seduce her lover out of right-minded Lea Padovani's arms.
However this ability to embody the ruthless seductress proved a mixed blessing. Indeed, as she grew older, Elli Parvo had the same problem as her French look alike Ginette Leclerc: either she was reduced to parody herself, like the comical vamp she played in "Toto terzo uomo" (1951), or she got more and more insignificant supporting parts in the films of the nineteen fifties.
As no director or producer gave her a real opportunity to express all her talent, she finally called it quits after a last foray into an Italian comedy. She can nevertheless be seen in Antonioni's heart-rending "Il grido" (1957).