As per our current Database, Aysen Gruda has been died on 23 January, 2019 at Istanbul, Turkey.
When Aysen Gruda die, Aysen Gruda was 75 years old.
| Popular As | Aysen Gruda |
| Occupation | Actress |
| Age | 75 years old |
| Zodiac Sign | Leo |
| Born | August 22, 1944 (Istanbul, Turkey) |
| Birthday | August 22 |
| Town/City | Istanbul, Turkey |
| Nationality | Turkey |
Aysen Gruda’s zodiac sign is Leo. According to astrologers, people born under the sign of Leo are natural born leaders. They are dramatic, creative, self-confident, dominant and extremely difficult to resist, able to achieve anything they want to in any area of life they commit to. There is a specific strength to a Leo and their "king of the jungle" status. Leo often has many friends for they are generous and loyal. Self-confident and attractive, this is a Sun sign capable of uniting different groups of people and leading them as one towards a shared cause, and their healthy sense of humor makes collaboration with other people even easier.
Aysen Gruda was born in the Year of the Monkey. Those born under the Chinese Zodiac sign of the Monkey thrive on having fun. They’re energetic, upbeat, and good at listening but lack self-control. They like being active and stimulated and enjoy pleasing self before pleasing others. They’re heart-breakers, not good at long-term relationships, morals are weak. Compatible with Rat or Dragon.
Aysen Gruda (born 22 August 1944 in Istanbul) is a Turkish actress and comedian. Aysen Gruda was born in Istanbul. Her sisters Ayben and Ayten would also go on to become actors. Aysen Gruda appeared in several musicals such as "Mum Söndü", "Deve Kusu Kabare", "Hababam Sinifi Müzikali", "Yedi Kocali Hürmüz".
Her role in the sketch Her Domates Güzeli Nahide Serbet on television, gained her the nickname "Domates Güzeli". She appeared in over 100 films including classics such as Tosun Pasa (1976), Süt Kardesler (1976), Gülen Gözler, Saban Oglu Saban (1977), Hababam Sinifi Tatilde (1977), Hababam Sinifi Güle Güle (1981) and Neseli Günler (1978).
